Austin agrees that the "real color" of a thing is the color that it would appear to have to normal (e.g. not colorblind) observers in normal circumstances (e.g. under standard lighting conditions).
Austin agrees that the "real color" of a thing is the color that it would appear to have to normal (e.g. not colorblind) observers in normal circumstances (e.g. under standard lighting conditions).
What we mean by "real color" depends on the context -- and on what distinction we want to make. For example, if I speak of the "real color" of Suzy's hair, I might mean the color it would look in normal lighting (and not in the weird bar-room light). Or I might mean the color that it was before it was dyed.
Austin agrees that the "real color" of a thing is the color that it would appear to have to normal (e.g. not colorblind) observers in normal circumstances (e.g. under standard lighting conditions).
What we mean by "real color" depends on the context -- and on what distinction we want to make. For example, if I speak of the "real color" of Suzy's hair, I might mean the color it would look in normal lighting (and not in the weird bar-room light). Or I might mean the color that it was before it was dyed.